Category Archives: slow fashion

Some Dyeing and some Dresses

My Merchant & Mills Curlew dress.

The colour is more realistic in the photo taken on the stairs. It’s made of the undyed Irish linen and I’ve used Earl Grey tea to get the gold colour – I am so pleased with it!

The Facts:

Pattern Changes: I shortened the sleeves. I made the top so I didn’t make a toile.

Sewing: I sewed most of the seams by hand and the rest using my 1930s hand cranked Singer. The dress is bias cut so my wonky handsewing holds it quite well. I could have used my modern Pfaff with its zigzag stitch but I wanted to take my time over it.

Dyeing

I made the dress first

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This is the original colour.

Then I made Earl Grey tea with about fifteen used bags (store them in the freezer until you have enough), strained the tea and heated the dress with the tea. Left the dress to cool in the tea and then hung it in the shade to dry. Left it two days and then rinsed it, spun it gently and left it to dry in the shade.

I like the Earl Grey colour better than the more orangey shades of English Breakfast tea and I think I’ll try it again for something else.

I don’t usually post everything I make but I like this batik dress. it’s getting a lot of wear in the warmer weather we’ve been having.

The Merchant & Mills Bantam dress.

I’ve also made tops from this pattern. They are really good with jeans and don’t take much fabric so leftovers are used up.

The Bantam has a shirt style so the back is lower than the front. I quite like that, what do you think?

And here’s one of my attempts to cheer up every day wear.

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Just added for fun!

No pattern. This is just rectangles tucked to fit.

And for those of you waiting for the tunic

The colour doesn’t show up well on the actual tunic so I’ve included the parcel I made for leaf printing to get a better idea.

The sage leaves became blobs (pretty deep yellow blobs though!) rather than leaves when I tried to print with them. I don’t think I bundled them up tightly enough. If I had enough sage I would use it to dye a whole garment – the yellow really is beautiful.

I got interested in the marks the copper pipes from the hot water tank – so I made some more by wrapping the tunic around the pipes. I think the copper enhanced the yellow rather than made a dye themselves, although if you know about this I’d be glad to hear from you.

The tunic is in store waiting to be decorated further. I think it would benefit from fancy threads to enhance the pattern the copper pipes made.  I’m thinking about it.

So that’s it. I haven’t been keeping up with what you’ve been up to so I’ll be around to your blog to check up on your activities very soon.

Have a lovely week.

Norma x

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Filed under Clothes, dressmaking, dyeing, fashion, sewing, slow dyeing, slow fashion, solar dyeing, stashbusting, textiles

Slow Sewing and Dyeing

The start of leaf printing – I hope! Those are sage leaves taken from a plant outside the door and laid out on the tunic. It looks white here but it is a pretty, pale yellow. I have read that garden dyes are hard to photograph unless there is plenty of sun: unfortunately, it’s been dismal here this week so I’ll have to make do.

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The tunic parcelled up ready for steaming.

The tunic is very damp and sitting in the cupboard with the hot water tank. It’s not really drying so I’m thinking about opening it out and using the iron to dry it. I’m in unknown territory here so I can’t quite make up my mind. Interestingly, the copper pipes in the cupboard are leaving their mark on the fabric. I don’t know whether it’s permanent or not. I’m recording everything in detail so I can post about it afterwards.

And this is the result of painting with egg:

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The white strip (actually pale grey) shows the before colour of the linen contrasted with the dyed colour.

After two weeks sitting in a pot with dandelion heads the painted lines have absorbed most of the dye. I am thinking of adding another colour to the skirt – one that’s too pale to colour the painted lines further but will add a little something to the background. Maybe dock leaves?

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This is the dress I’ve made from the same roll of Irish linen as this top and the painted skirt. It’s the Curlew dress pattern from Merchant & Mills: a lovely bias cut pattern. I’ve made it mostly by hand but used the Singer hand crank for staystitching and also (oddly – no idea why) for the the bias binding round the neck. I’m planning a milk mordant this weekend and then it’ll probably go into the solar dye pot with bramble tips (expecting a pinkish colour but we’ll see).

It has been lovely to slow down the sewing in this way.  I’ve thought about every step so carefully and it’s limited the unpicking. Am I the only sewist to race away with my machine only to unpick later? It seemed very simple to ease the sleeve into the armhole by hand whereas it’s a stressful process for me by machine.

Well, I think that’s all to report. Please feel free to ask questions as I haven’t put lots of detail into this.

Thanks for dropping by,

Norma x

 

 

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Filed under Clothes, dresses, dressmaking, dyeing, fashion, sewing, Singer sewing machines, slow dyeing, slow fashion, solar dyeing