This linen skirt has been in the dyepot several times since it was made. The link shows the original undyed colour of the linen.
The lines and dots were made by painting with egg. The final dye was made from dock leaves taken from plants that were seeding. It gives a much deeper yellow than leaves taken earlier in the season but I think the build up of the various dyes helps too.
I’m planning to stitch along the lines with variegated silk threads. It will be a long time before I finish this skirt.
This tunic was made from a sheet and has undergone several transformations. I tried printing with sage leaves and loved the yellow colour but it came out in blobs rather than leaf shapes. That’s what encouraged me to dye the whole thing with sage. It’s been in the dye pot in the greenhouse for six days which is quite a short time for solar dyeing here, but the weather has been exceptionally hot.
This is it rinsed in cold water and hanging in the shade; once dry, I will put it away for a week or two before washing it (gently!). I’ve noticed that the dye stays in better if the fabric gets a good rest between each stage.
The marks on the tunic were made by the copper pipes coming out of the hot water tank. Originally accidental, I liked them, so I made some more.
These pieces of cotton fabric were originally white and were solar dyed as follows:
Top left used dock leaves from seeding plants.
Top right is from dock leaves pre seeding.
Bottom left is Earl Grey tea.
Bottom right is dandelion flowers. I was suprised by this as they produced a brownish shade on the skirt and a very brown shade on the painted parts of it.
If you’re interested in mordants, some pieces of fabric have been treated with alum but most have been soaked in dilute (slightly sour) milk and washed in washing soda before dyeing. They have all been left to dry between each stage and some have been stored for several weeks. Alum is the only “normal” mordant I use. The others worry me somewhat and I prefer milk followed by washing soda.
Pieces of old sheet have picked up the dye really well without me adding any mordant. I think that is because of the number of times the sheet has been washed before it became part of my stash. I think there’s a build up of washing soda or something similar.
If you are interested in more detail, please let me know. I will do my best to answer any questions. All these are experiments inspired by India Flint. I think it will take years before I will be able to call myself a dyer but I’m enjoying the journey.
Thanks for dropping by,